The End of History

St Giles-in-the-Fields Church, London.

The End of History

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St Giles-in-the-Fields Church

Ticket Type Cost (face value) ? Quantity
All Seats - Age 25 & Under £15.00 (£12.50)
All Seats - Age 65 and Over £15.00 (£12.50)
All Seats - Student £15.00 (£12.50)
All Seats - Theatre Unions £15.00 (£12.50)
All Seats - Unwaged (Registered) £15.00 (£12.50)
All Seats - Full Price £18.00 (£15.00)

More information about The End of History tickets

Running Time: 1 hours 10 minutes

  • Booking period: 5 - 23 June 2018

    Age guidance: 14+ - Contains strong language and sexual and drug use references.

    She'd seen him before;
    pink shirt, dark hair, grey suit... jaw.
    Oh yes, she'd seen him before.
    He couldn't quite place her face.


    What happens when two totally different Londoners find themselves face to face on the worst day of their lives?

    Staged off-site at St Giles in-the-FieldsHigh Hearted Theatre in association with Soho Theatre, takes a chance encounter to explore the impact of gentrification on two totally different individuals.

    St Giles-in-the-Fields has long been a place of refuge to outsiders, a historic place of worship since Saxon times, synonymous with Hogarth's slums and the plague. It now sits in the centre of a massive redevelopment project including Crossrail, Central St Giles Piazza and Centrepoint. The End of History draws on both St Giles' historical past and its precarious present as it explores modern political and class divisions, both real and imagined.

    The play was a response to an invitation from St Giles' Rector Alan Carr who was keen to explore the impact of gentrification in the area, a neighbourhood which has always been in a state of flux. Carr says: "I think that drama and writing is sometimes the best way to try and understand what is happening?sometimes going back into past events can enable us to see clearly what matters, what is perhaps being lost, and what is being altered in a very subtle way."

    High Hearted Theatre's director Gemma Kerr and writer Marcelo Dos Santos, whose productions are embedded in places and unconventional theatre spaces, add: "It was the perfect combination which allowed us to respond to the physical architecture but also the history, stories and culture of such a beautiful space."

    Rehearsal Shots


    Photo Credit: Mike Massaro