Dana Gavanski Tickets

The Common Room Of The Great North, Newcastle Upon Tyne.

This event is for 18 and over - No refunds will be issued for under 18s.

Ticket type Cost (face value)? Quantity
GENERAL ADMISSION £13.75 (£12.50)

Handling and delivery fees may apply to your order  

More information about Dana Gavanski tickets

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Born in Vancouver to a Serbian family, but relocating to Montreal to attend university, Dana Gavanski originally planned to pursue a career in film. However, she shifted her attention back to music when her then ex-partner left her his guitar before moving to NYC. Having known only how to play ‘Diamonds and Rust’ by Joan Baez, Dana picked up a Travis Picking technique book and started re-learning how to play. When in the Summer of 2016, she took a job with her father as a producer’s assistant on a horror film in the Laurentians, she made enough to focus solely on 
developing her music for a year. With that came her first EP, Spring Demos.

In 2019, Dana signed with Full Time Hobby and released two 7" singles ("One By One", "Catch") and announced her debut album "Yesterday Is Gone", a co-production between Sam Gleason, Tunng's Mike Lindsay and Dana herself. The critically acclaimed album was released in March 2020, followed by an EP of covers titled "Wind Songs", released in August of the same year. Dana's second album "When It Comes" was released in April 2022, followed by headline tours around UK, Europe and north America, and is followed by third album LATE SLAP, due for release in April 2024.


Bingo Fury conjures a glitzy – altogether seedy – Broadway sheen. Although very much a solo songwriter, Bingo’s compositional process relies on contributions from his entire band – bassist Megan Jenkins, and drummer Henry Terrett have been playing together since their teens. In one of their various incarnations, they recruited local avant-jazz legend, cornet player Harry ‘Iceman’ Furniss, with guitarist and percussionist Rafi Cohen later completing the line-up.
Influenced by classic songwriters as much as pioneers of alternative experimentation, the songs can often land like a jazz standard that got lost multiple times on its journey to the present day. Some pit stops are obvious: the haunting balladry of Nina Simone and Leonard Cohen, and the arresting no-wave of James Chance and The Lounge Lizards.